by GlassWolf » Sun Apr 24, 2005 9:34 am
read this
http://www.bcae1.com/xovrslop.htm
crossovers aren't brick-wall filters. the frequency you set the XO for is the point where the volume will begin to gradually decrease as the frequency rises or lowers (LPF or HPF). Use the head unit crossovers for everything. you should be able to set the slope or "Q" as well as XO frequency.
I'd set LPF to 80Hz 18dB slope, and HPF to 125Hz 12dB slope
a 12dB slope means that every octave (half or double the frequency) the volume will decrease by 12dB, or approximately 1/4 the volume.
so 80Hz LPF 18dB slope means at 80Hz it's full volume. at 160Hz, the volume is -18dB quieter. At 320Hz, the volume drops another -18dB..
that's why you leave a gap. both the midrange and the sub will gradually fade off in volume as the frequency changes, so the two "slopes" will meet up and fill in that gap.
nothing lost.
read this
[url]http://www.bcae1.com/xovrslop.htm[/url]
crossovers aren't brick-wall filters. the frequency you set the XO for is the point where the volume will begin to gradually decrease as the frequency rises or lowers (LPF or HPF). Use the head unit crossovers for everything. you should be able to set the slope or "Q" as well as XO frequency.
I'd set LPF to 80Hz 18dB slope, and HPF to 125Hz 12dB slope
a 12dB slope means that every octave (half or double the frequency) the volume will decrease by 12dB, or approximately 1/4 the volume.
so 80Hz LPF 18dB slope means at 80Hz it's full volume. at 160Hz, the volume is -18dB quieter. At 320Hz, the volume drops another -18dB..
that's why you leave a gap. both the midrange and the sub will gradually fade off in volume as the frequency changes, so the two "slopes" will meet up and fill in that gap.
nothing lost.